About Us

"It's About the Art" - Michael Audain

The Audain Art Museum is a leading visual arts organization located in Whistler, BC. Founded by philanthropists Michael Audain and Yoshiko Karasawa, to house many of the British Columbia works from their private collection, the Museum opened its doors in 2016. Today, the AAM holds a comprehensive Permanent Collection of the province’s most celebrated artists, alongside rotating Special Exhibitions from around the world. All are displayed in a stunning 56,000-square-foot building designed by award-winning firm Patkau Architects.

From historical masterpieces to contemporary works, the Permanent Collection celebrates the diverse artistic heritage of British Columbia. Spanning centuries of creativity, it reflects the province’s ever-evolving identity through carving, painting, photography, and more. Highlights include hereditary Haida Chief James Hart’s The Dance Screen (The Scream Too), an exceptional collection of Indigenous masks, the largest permanent display of paintings by Emily Carr, and key works from Vancouver’s photo-conceptualism movement.

James Hart, The Three Watchmen, c. 2021, bronze with red ocher patina. Audain Art Museum Collection. Funded by the Audain Foundation. Photo: Scott Brammer.

Our Journey

A look at the key moments that have shaped the Audain Art Museum.

September, 2012

Vancouver home builder and philanthropist Michael Audain visits Whistler and selects a site at the invitation of James Moodie.

December, 2012

Michael Audain announces he has entered into an agreement with the Resort Municipality of Whistler (RMOW) to build a 2,323 square meter (25,000 square foot) museum to house a portion of his British Columbia art collection. Later that year it was determined that the Audain Art Museum would house the Audain’s (Michael and Yoshiko’s) British Columbia art collection.

April, 2013

Michael Audain announces plans expand the art museum to 5,203 square meters (56,000 square feet).

August, 2013

Construction begins on site.

March, 2016

The Audain Art Museum opens to the public.

September, 2018

The inaugural ceremonial dance of master carver and hereditary Haida Chief James Hart’s The Dance Screen (The Scream Too) takes place in the Museum's Chrystal Gallery.

July, 2019

The Audain Art Museum’s Category A status is confirmed by the Department of Canadian Heritage. The Museum meets international standards for HVAC (humidity and temperature control) and security systems for the care and protection of artworks.

September, 2019

The Audain Prize is presented in partnership with the Audain Art Museum, marking the beginning of an ongoing annual collaboration.

September, 2019

Emily Carr: Fresh Seeing – French Modernism and the West Coast produced by the Audain Art Museum opens and then travels to the Beaverbrook Art Gallery and Art Gallery of Greater Victoria.

November, 2020

RESEVOIR by Rebecca Belmore produced by the Audain Art Museum opens.

April, 2022

Wolves: The Art of Dempsey Bob produced by the Audain Art Museum opens and then travels to the Glenbow Museum, McMichael Canadian Art Collection and Montreal Museum of Fine Arts.

June, 2023

Manabu Ikeda: Flowers from the Wreckage produced by the Audain Art Museum opens and then travels to Museum of Contemporary Art Cleveland.

November, 2024

CURVE! Women Carvers on the Northwest Coast produced by the Audain Art Museum opens and then travels to the National Gallery of Canada.

October, 2025

7IDANsuu James Hart: A Monumental Practice book produced by the Audain Art Museum and Figure 1 Publishing launches at the Audain Art Museum, Bill Reid Gallery of Northwest Coast Art and Haida Gwaii Museum at Kay Llnagaay.

March, 2026

The Audain Art Museum celebrates its 10-year anniversary.

June, 2026

Takao Tanabe 100: Inside Passage produced by the Audain Art Museum opens and then travels to National Gallery of Canada and Art Gallery of Greater Victoria.

Dale Marie Campbell discusses her work at the opening of Special Exhibition Curve! Women Carvers on the Northwest Coast, November 22, 2024.

Art For All

The Audain Art Museum is committed to fostering a welcoming, inclusive, and equitable environment. As a cultural institution rooted in displaying the artistic legacy of British Columbia—spanning Indigenous, historical, and contemporary perspectives—we strive to ensure that our collections, programs, workplace, and public spaces are accessible, welcoming, and equitable for all.

We respectfully acknowledge that the Museum is located on the unceded, shared territory of the Sḵwx̱wú7mesh (Squamish) Nation and Lil̓wat7úl (Lil’wat) Nation, and we honour their enduring relationship with this land.

(From left to right) Leslie Anthony, hereditary Haida Chief James Hart, Gwaliga Hart and Dr. Curtis Collins, Executive Director during In Conversation with Master Carver James Hart at the Book Launch for 7IDANsuu James Hart: A Monumental Practice. Photo: Oisin McHugh.

Beyond the Galleries

At the Audain Art Museum, we believe in the power of art to reflect diverse perspectives, spark dialogue, connect people, and inspire deeper understanding and empathy across cultures and communities. Through educational programs, community events, and partnerships with cultural organisations, we bring art—and the stories behind it—to life for thousands of visitors each year.