Geoffrey Farmer Revisits and Recontextualises Thought-Provoking Works in the Audain Art Museum’s Permanent Collection
Geoffrey Farmer: Phantom Scripts

Geoffrey Farmer, Las Crónicas del Vampiro, 22 de noviembre de 1973 (detail), 2010 – 2025. Audain Art Museum Collection. Gift of Michael Audain and Yoshiko Karasawa.
Photo: Oisin McHugh
Overview
Phantom Scripts revisits three works by Geoffrey Farmer from the Audain Art Museum’s Permanent Collection — Las Crónicas del Vampiro, 22 de noviembre de 1973 (2010 – 2025), La Política de las Apariciones (2012 – 2025), The Good Sweeper (2017 – 2025)— reframing them through newly composed scripts, annotations, and didactic texts authored by the artist. The texts function as interjections — speculative, contextual, poetic — that re-examine and complicate the earlier works. In doing so, Farmer explores how art can be returned to, re-read, and re-situated under shifting historical and ethical awarenesses.
This exhibition is a return — not only to Farmer’s past works, but to the evolving conditions in which they are understood. Phantom Scripts highlights the artist’s curiosity to revisit the assumptions, forms, and the silences embedded in his earlier productions, treating the past not as fixed, but as an unsettled field of interpretation and implication. Early aesthetic elements remain — vivid, disorienting, alive — but are now considered by the artist within a broader awareness of colonial entanglements and queer disidentification, foregrounding the role of the museum not as neutral host, but as a site of complicity, memory, and potential transformation.
Geoffrey Farmer: Phantom Scripts is curated by Cassidy Luteijn, Assistant Curator, Audain Art Museum, Whistler, BC.
Media Gallery
Meet the Artist
Discover the Audain Art Museum
Explore the art of British Columbia, alongside rotating Special Exhibitions featuring artists of national and international significance.







